Robinson made Bolm read out all of his confessional lyrics to his bandmates to make sure they understood their emotional content. In the end, „Deflector“ proved the producer/band combo was undoubtedly the right fit. Robinson agreed to a rare one-song „test recording“ last summer, which resulted in the song „Deflector“, released last fall. „I believe there was an unspoken learning curve between Ross?s methods and the understanding that I?ve poured myself into the words and mean every one of them,“ vocalist Jeremy Bolm says. Both Robinson and Touché Amoré are known for their trademark intensity. Through 11 songs, Touché Amoré looks back at its past and uses hard-won optimism to point its fans toward light, and love.įor the follow up to the their critically acclaimed 2016 release, Stage Four, Touché Amoré have opted to get out of their comfort zone and work with a new producer, the famously demanding Ross Robinson (Slipknot, Korn, At the Drive-In). After over a decade of working through darkness, the bands gorgeously gruff fifth album, Lament, finds the light at the end of the tunnel. TOUCHÉ AMORÉ has been burrowing through angst, alienation, cancer, and heartbreak throughout four adored studio albums. Andy Hull (Manchester Orchestra, Bad Books). Musikalisch bleibt man sich treu, die neue Produktionsweise eröffnet aber neue Räume und Aspekte, und es war Zeit, hier das volle Potential aufzuzeigen – ein tolles Comeback! Als Gastsänger im Duett u.a. In den vier Jahren seit dem Vorgänger hat sich viel getan, und so ist auch inhaltlich eine etwas positivere Grundrichtung hörbar, die Texte waren schließlich schon immer fast der größte Identifikationsfaktor der Band. Ihr wuchtiger, melodischer Post-Hardcore ist inzwischen selbst Referenz geworden für unzählige Bands, und auch für die, die sonst wenig mit dem Genre anfangen können. Am Rezept hat sich natürlich wenig geändert, wobei TA definitiv eine der Bands sind, die eher immer besser werden.
So sind die 11 neuen Songs auch entsprechend deutlich breitwandiger und opulenter produziert, was ihnen aber gut zu Gesicht steht, denn glücklicherweise ist das nicht überproduziert oder glattpoliert. Das langerwartete fünfte Album der seit 2007 nimmermüden Band aus Burbank/Kalifornien um Sänger Jeremy Bolm, die sich nun mit niemand geringerem als Ross Robinson ins Studio gewagt haben, der damals schon At The Drive-In auf´s nächste Level gehievt hat. Its longer, structured songs soar with a ferocious but delicate musicality and powerful, gut-wrenching storytelling that smashes previous heights. This is the black ice vinyl version, exclusive to Rev and limited to 1,000 copies.Lament is their masterstroke. Featuring guest vocals by Thursday's Geoff Rickly of Thursday and Modern Life Is War's Jeff Eaton, ".To The Beat Of A Dead Horse" was recorded by Alex Estrada at Earth Capital Studios and mastered by Paul Miner (The Suicide File, New Found Glory, Unbroken).
#Touche amore genre full
Where Touche Amore's demo 7" on No Sleep Records was full of promise, ".To The Beat Of A Dead Horse" never feels fully realized: the guitars bend and weave but always maintain their drive, the rhythms are frequently off kilter but never off-time, and the vocals are screamed at the edge of breaking up but they're always exciting, pleasing even. Hailing from Los Angeles, CA, Touche Amore set themselves against the glamour and greed of their hometown culture with ".To The Beat Of A Dead Horse," their passionate debut full-length, originally released in 2009.
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