It’s that strange mixture of family drama tied with weirdness that intrigues me so far with Safe, and the way that those elements are divided. As a familiar face to many television watchers, his English accent might be off-putting at first, but I found myself getting used to it – no doubt helped by the fact that he really doesn’t have that much dialogue once the running around begins, and the disclosure of facts falls to other members of the cast such as Amanda Abbington’s Sophie, a police officer with a keen eye for detail and her own problematic home life that she tries hard to keep under control. He has a vital, believable presence as a desperate father. Having set up some interesting characters and relationships early on, such as Tom’s quiet best friend Pete (played by Marc Warren) and their bond from a shared past, Safe quickly becomes absolutely driven by its fast-moving plot, which involves revelations, car chases, interrogations, and more than a few action sequences involving Hall. The way technology is used within our daily lives without anyone really examining what living under constant surveillance means, for instance, is worthy of an episode of Black Mirror, and there is certainly more than a touch of black humour in some of the more extreme situations although it remains to be seen if Safe will continue in that direction, or whether that will get sacrificed for the sake of taking itself seriously as it builds to its conclusion. It doesn’t take long for things to begin to get darker, and there’s a really satisfying slice of weirdness in the first two episodes.
#SAFE BY HARLAN COBEN SERIES#
A few extreme close-ups of Hall’s face work very well, heightening that sense of not really being able to tell what anyone is feeling or thinking even when you’re staring right into the eyes of another person, they can remain a mystery – at least, until the end of the series when all will be revealed, of course.
Hall) when his daughter disappears he has to admit that he knows very little about her life, and what he begins to uncover about it is a shock that reverberates through the community. More than one parent is struggling to communicate with a teenager who spends most of their time online or sneaking off to banned parties, and some marriages are much happier than others.Įveryone has their own issue to contend with, and that’s certainly true of widower Tom (played by Michael C. We follow a number of characters who live within this perfect, sealed off slice of suburbia, and while their houses are large and the communal barbecues seem like the perfect social occasions, they still all have their own problems, and are wrapped up in their difficult family relationships. Safe starts off with the flavour of a soap opera. Everybody might have secrets but nobody is entitled to keep them, particularly once a teenage girl has gone missing from an affluent English gated community that is a great setting for strange and horrible happenings. “People are entitled to their secrets,” says one of the characters early on in this Harlan Coben-created Netflix series, and then we’re immediately plunged into the business of proving that untrue. Ozark review: Netflix's latest original drama
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